\n\nThe radical changes and areas of tension in the world we live in today - duration and change, remembering and forgetting, protection and exclusion as well as the public and the private - form the starting point for Regula Michell's artistic work, which spans over 30 years. At the centre of her work is the examination of physical perception and its influence on thought, action, coexistence and their reproduction.\n\nThe current focus of her work is on temporary, site-specific and performative installations made from materials such as cardboard or wood, which she collects from her immediate surroundings. The focus of her work is on connections and their dissolution as well as on processes and transformations. Her works thematise the constant oscillation between fullness and emptiness, action and stillness as well as being and non-being. The combination of action and work, presence and representation as well as immateriality and materiality creates a tension that questions the fragile relationship between subject and object.\n\n","Michell","Regula Ursula\n",{"@id":253,"@score":262,"@type":263,"kleio:cover_asset":285,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":286,"kleio:user_record_id":288,"kleioapi:in_set":289,"kleioapi:in_space":290,"kleioapi:is_actor":6,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":291,"rdfs:label__de":291,"threems:relatesTo":263},"kleio:asset_1ec2903a-55bb-46fc-948f-fb65cd98c4db",[287],"kleio:tag_type_work",186,[42],[25],"Cité internationale des arts PARIS","kleio:record_defa5fce-3c1a-4240-8d2d-c356fc5610a0",{"@id":292,"@score":229,"@type":263,"dc:creator":294,"kleio:category_tags":295,"kleio:cover_asset":299,"kleio:default":6,"kleio:record_owner":66,"kleio:status_tags":300,"kleio:type_tags":302,"kleio:user_record_id":303,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":304,"kleioapi:in_space":305,"kleioapi:is_actor":6,"kleioapi:main_date__date":306,"kleioapi:main_date__date__lower":307,"kleioapi:main_date__date__upper":308,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":309,"rdfs:label__de":309,"schema:description":310,"schema:description__de":310,"schema:keywords":311,"schema:title":309,"schema:title__de":309,"threems:relatesTo":263,"threems:searchVia_index":237},[260],[296,297,298],"kleio:tag_eb8aee1b-f534-45b3-88c3-edaa9d640edc","kleio:tag_category_sculpture","kleio:tag_category_photography","kleio:asset_880ab46c-9f7c-45ff-b37a-82dd499b10f0",[301],"kleio:tag_status_destroyed",[287],138,[40],[25],"2024","2024-01-01","2024-12-31","Ephemere Instant-Skulpturen","Im Atelier entstandene ephemere Instant-Skulpturen. Vorzugsweise aus gebrauchten Kartonschachteln, WC-Papier Kartonrollen und Mobiliar (z.B. Leiter, Holzhocker, etc.).",[312,313,314,315,316,317,318,319],"kleio:tag_content_14830","kleio:tag_content_59","kleio:tag_content_8810","kleio:tag_content_16954","kleio:tag_content_abstract","kleio:tag_content_46","kleio:tag_content_ephemeral","kleio:tag_content_45","kleio:record_2c13dbcf-3147-4897-8a54-40cc12749fed",{"@id":320,"@score":229,"@type":263,"dc:creator":322,"kleio:category_tags":323,"kleio:cover_asset":325,"kleio:default":6,"kleio:material_tags":326,"kleio:record_owner":66,"kleio:technique_tags":328,"kleio:type_tags":330,"kleio:user_record_id":331,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":332,"kleioapi:in_space":333,"kleioapi:is_actor":6,"kleioapi:main_date__date":334,"kleioapi:main_date__date__lower":335,"kleioapi:main_date__date__upper":336,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":337,"rdfs:label__de":337,"schema:description":338,"schema:description__de":338,"schema:title":339,"schema:title__de":339,"threems:relatesTo":263,"threems:searchVia_index":229},[260],[324],"kleio:tag_category_collage","kleio:asset_df5c1520-010a-45f7-a11d-1dc39f66f8c0",[327],"kleio:tag_0abd2231-4e39-44cb-8f27-136d5e865445",[329],"kleio:tag_technique_collage",[287],165,[40],[25],"2025","2025-01-01","2025-12-31","O. T.","Eine Serie von 36 Blätter à 12 Triptychen.\nTapentendesigns von William Morris (1834-1896).","O.T","kleio:record_1f7e2c76-2bbd-4cc3-b1e0-2544e6c7fa66",{"@id":340,"@score":229,"@type":263,"dc:creator":342,"kleio:category_tags":343,"kleio:cover_asset":345,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":346,"kleio:user_record_id":347,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":348,"kleioapi:in_space":349,"kleioapi:is_actor":6,"kleioapi:main_date__date":334,"kleioapi:main_date__date__lower":335,"kleioapi:main_date__date__upper":336,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":350,"rdfs:label__de":350,"schema:description":351,"schema:description__de":351,"schema:title":350,"schema:title__de":350,"threems:relatesTo":263,"threems:searchVia_index":248},[260],[344],"kleio:tag_category_object","kleio:asset_d9473a9d-79c8-4778-ac76-ea736b818ae7",[287],194,[40],[25],"o.T.","Transformation\nSerie aus 4 Objekten\nJe 3 im Wasser aufgelöste WC-Papier-Kartonrollen zu einem rhomboiden Körper zusammengehäkelt. Diesen gewässert, gepresst und zusammengeschnürt getrocknet. \n","kleio:record_e4ca4113-84a4-4b8c-8bfe-1e6308c7fd3b",{"@id":352,"@score":229,"@type":263,"dc:creator":354,"kleio:category_tags":355,"kleio:cover_asset":356,"kleio:default":6,"kleio:material_tags":357,"kleio:record_owner":66,"kleio:technique_tags":358,"kleio:type_tags":359,"kleio:user_record_id":360,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":361,"kleioapi:in_space":362,"kleioapi:is_actor":6,"kleioapi:main_date__date":334,"kleioapi:main_date__date__lower":335,"kleioapi:main_date__date__upper":336,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":363,"rdfs:label__de":363,"schema:description":364,"schema:description__de":364,"schema:title":363,"schema:title__de":363,"threems:relatesTo":263,"threems:searchVia_index":228},[260],[324],"kleio:asset_531dd0c8-521e-4419-9afe-170bada1a85d",[327],[329],[287],166,[40],[25],"Ohne Titel","Eine Serie von 24 Blätter à 12 Diptychen.\nEs ist eine Arbeit.","kleio:record_35819306-6ad9-4b76-a8ac-4e089050da07",{"@id":365,"@score":229,"@type":263,"dc:creator":367,"kleio:category_tags":368,"kleio:cover_asset":371,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":372,"kleio:user_record_id":373,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":374,"kleioapi:in_space":375,"kleioapi:is_actor":6,"kleioapi:main_date__date":306,"kleioapi:main_date__date__lower":307,"kleioapi:main_date__date__upper":308,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":376,"rdfs:label__de":376,"schema:description":377,"schema:description__de":377,"schema:keywords":378,"schema:title":394,"schema:title__de":394,"threems:relatesTo":263,"threems:searchVia_index":257},[260],[369,370,297],"kleio:tag_category_installation","kleio:tag_ab479c0b-caf0-411f-b502-9e62c99ef174","kleio:asset_f492f709-19dc-44be-81fc-354f0145ec48",[287],132,[40],[25],"Meditation on Cardboard \n","Zehn Tage, neun unterschiedliche performative Installation im Raum und eine im Aussenraum.\n\nWiedergängig - Widerständig\n\n«Eine grosse Menge identischer Kartonschachteln: sperrig und unprätentiös, nach einem festen Schema konstruiert – und so auch wieder platzsparend zerlegbar. Was lässt sich diesen Verpackungen abgewinnen? Wie lassen sie sich handhaben? Und wodurch werden sie zum Objekt? Das Verhältnis von Künstlerin und Material steht ebenso im Fokus wie grundsätzliche gestalterische Prinzipien: verbinden und auflösen, ordnen und verwerfen, auftürmen und abbauen. Raum einnehmen und Platz machen: ein Prozess mit offenem Ausgang.»",[379,380,381,316,318,382,383,312,384,385,317,386,387,388,389,390,391,315,392,393],"kleio:tag_content_57","kleio:tag_content_time","kleio:tag_content_10850","kleio:tag_content_9125","kleio:tag_content_44","kleio:tag_content_29","kleio:tag_content_sustainability","kleio:tag_content_process","kleio:tag_content_14824","kleio:tag_content_movement","kleio:tag_content_55","kleio:tag_content_9675","kleio:tag_content_transience","kleio:tag_content_28","kleio:tag_content_11882","Meditation on Cardboard\n","kleio:record_624cf672-fdd0-426b-a8b2-18ffc1f5f246",{"@id":395,"@score":229,"@type":263,"dc:creator":397,"kleio:category_tags":398,"kleio:cover_asset":401,"kleio:default":6,"kleio:material_tags":402,"kleio:record_owner":66,"kleio:technique_tags":403,"kleio:type_tags":405,"kleio:user_record_id":406,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":407,"kleioapi:in_space":408,"kleioapi:is_actor":6,"kleioapi:main_date__date":334,"kleioapi:main_date__date__lower":335,"kleioapi:main_date__date__upper":336,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":409,"rdfs:label__de":409,"schema:description":410,"schema:description__de":410,"schema:keywords":411,"schema:title":409,"schema:title__de":409,"threems:relatesTo":263,"threems:searchVia_index":412},[260],[399,400],"kleio:tag_aaad3970-06c8-4aae-b6f8-111571e84ee5","kleio:tag_category_performance","kleio:asset_c710a4aa-2909-4437-ab92-f91b5ee3f192",[327],[404],"kleio:tag_1ec42442-779d-4bd0-b243-9a8c149c9e3a",[287],155,[40],[25],"Chlapf II","In der Performance „CHLAPF II“ erkunde ich körperlich-sinnlich und analytisch das Verhältnis des Menschen zur materiellen Welt. Ich reflektiere die Fragilität und Wandelbarkeit der fragilen Subjekt-Objekt-Beziehung.\n\n",[388,316,317,318,319,312,314],5,"kleio:record_b69b527d-4c1c-4f9a-8738-fc6be697660a",{"@id":413,"@score":229,"@type":263,"dc:creator":415,"kleio:category_tags":417,"kleio:cover_asset":420,"kleio:default":6,"kleio:material_tags":421,"kleio:record_owner":66,"kleio:technique_tags":423,"kleio:type_tags":426,"kleio:user_record_id":427,"kleioapi:creator__labels":428,"kleioapi:creator__labels__de":430,"kleioapi:in_set":431,"kleioapi:in_space":432,"kleioapi:is_actor":6,"kleioapi:main_date__date":433,"kleioapi:main_date__date__lower":434,"kleioapi:main_date__date__upper":435,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":436,"rdfs:label__de":436,"schema:description":437,"schema:description__de":437,"schema:keywords":438,"schema:title":436,"schema:title__de":436,"threems:relatesTo":263,"threems:searchVia_index":440},[260,416],"kleio:record_b8738328-8714-49ad-8b21-34c1f414739e",[418,419],"kleio:tag_63af87f3-2293-4dfc-a979-3cbddd938c23","kleio:tag_9ca91054-50c6-408c-8bb2-eb02231abdac","kleio:asset_f8ab0284-67a6-4455-964d-d69e829f0266",[422],"kleio:tag_8faba5f7-3ba9-4ef9-9b17-35f22a4985a2",[424,425],"kleio:tag_370c1dc9-4935-4991-a556-e86b59008f8d","kleio:tag_561a2a07-2836-405f-814b-5acd6a26de07",[287],168,[429,71],"Mirjam Lüthy",[71,429],[40],[25],"2022","2022-01-01","2022-12-31","Lernwerk Brugg, vier Sitzungszimmer","Vier Sitzungszimmer vier Raumbilder.\nKontext - Essenz - Interaktion I, II, III, IX\n\nRaumgestaltung als Beitrag zur Integration begreifen wir als prozessuale Praxis des behutsamen Weiterbauens am Vorgefundenen. Das Projekt im Lernwerk Brugg zeigt exemplarisch, wie eine präzise gesetzte Farbintervention – jenseits invasiver baulicher Eingriffe – räumliche Wirklichkeiten neu rahmen kann. Der Leitgedanke folgt einer dialogischen Haltung: Bestand wird Ressource, Nutzung wird Praxis, der Mensch wird zum aktiven Mitgestalter im ästhetischen und sozialen Gefüge.\n",[314,316,317,439],"kleio:tag_content_14309",6,"kleio:record_789df3b3-d48c-48d4-b838-2ee6b38137b9",{"@id":441,"@score":229,"@type":263,"dc:creator":443,"kleio:category_tags":444,"kleio:cover_asset":445,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":446,"kleio:user_record_id":447,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":448,"kleioapi:in_space":449,"kleioapi:is_actor":6,"kleioapi:main_date__date":306,"kleioapi:main_date__date__lower":307,"kleioapi:main_date__date__upper":308,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":450,"rdfs:label__de":450,"schema:keywords":451,"schema:title":450,"schema:title__de":450,"threems:relatesTo":263,"threems:searchVia_index":454},[260],[324],"kleio:asset_fd0e73a3-3aa0-484f-a2f5-d35f74621f91",[287],189,[40],[25],"O.T.",[452,314,316,453],"kleio:tag_content_14831","kleio:tag_07cabfc7-6b9d-43d1-a95f-31d7868d4890",7,"kleio:record_766b645b-3f8e-483a-b7db-fe86554c7096",{"@id":455,"@score":229,"@type":263,"dc:creator":457,"kleio:category_tags":459,"kleio:cover_asset":462,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":463,"kleio:user_record_id":464,"kleioapi:creator__labels":465,"kleioapi:creator__labels__de":467,"kleioapi:in_set":468,"kleioapi:in_space":469,"kleioapi:is_actor":6,"kleioapi:main_date__date":470,"kleioapi:main_date__date__lower":471,"kleioapi:main_date__date__upper":472,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":473,"rdfs:label__de":473,"schema:description":474,"schema:description__de":474,"schema:keywords":475,"schema:title":473,"schema:title__de":473,"threems:relatesTo":263,"threems:searchVia_index":483},[458,260],"kleio:record_75631db8-2b7c-4dd8-828f-391c96c9ae6c",[400,460,399,461],"kleio:tag_751af3da-c15d-4aca-b9e1-1a4189f4ec3a","kleio:tag_category_collective","kleio:asset_300f01ea-13d2-47d1-9dea-198b591618e5",[287],195,[466,71],"Meret Wandeler",[71,466],[40],[25],"2004","2004-01-01","2004-12-31","Das Häkelobjekt","\nEin **Langzeitprojekt **von Regula Michell und Meret Wandeler\nStart: Mai 2004, Dauer: lebenslang\nProjekt\n\nRegula Michell und Meret Wandeler arbeiten seit Mai 2004 einmal pro Monat zu zweit oder gemeinsam mit Gästen am Häkelobjekt. Nach Ablauf der ersten zehn Jahre lautet der Beschluss: lebenslänglich! Die Künstlerinnen häkeln einmal pro Monat weiter, so lange beide am Leben und häkelfähig sind.\n\nDas Objekt wird aus rosa Acrylwolle hergestellt. Gehäkelt wird jeden Monat an einem anderen Ort im öffentlichen oder privaten Raum. Alle TeilnehmerInnen einer Aktion arbeiten am gleichen Stück. Weiter werden keine formalen oder technischen Vorgaben gemacht (sog. Freestylehäkeln). Auf Anfrage können die Künstlerinnen von Institutionen, Firmen oder Privatpersonen für Häkelaktionen engagiert werden. Bei grosser Nachfrage finden in einem Monat mehrere Aktionen statt.\n\nRegula Michell und Meret Wandeler sind an jeder Aktion dabei. Bei Krankheit, Auslandaufenthalt etc. können sie eine Vertretung bestimmen. Jede Aktion wird von anwesenden Personen vor Ort (PassantInnen, ZuschauerInnen) fotografiert. Auf einem Protokollblatt werden Ort, Datum, Dauer, TeilnehmerInnen und besondere Vorkommnisse festgehalten.",[476,477,478,479,480,388,439,316,481,319,314,482],"kleio:tag_content_consciousness","kleio:tag_content_memory","kleio:tag_content_6469","kleio:tag_content_14837","kleio:tag_content_feminist","kleio:tag_content_60","kleio:tag_content_diversity",8,"kleio:record_a056c6ab-5613-4401-a0be-7d14240cc8bf",{"@id":484,"@score":229,"@type":263,"dc:creator":486,"kleio:category_tags":487,"kleio:cover_asset":490,"kleio:default":6,"kleio:record_owner":66,"kleio:status_tags":491,"kleio:type_tags":493,"kleio:user_record_id":494,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":495,"kleioapi:in_space":496,"kleioapi:is_actor":6,"kleioapi:main_date__date":497,"kleioapi:main_date__date__lower":498,"kleioapi:main_date__date__upper":499,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":500,"rdfs:label__de":500,"schema:description":501,"schema:description__de":501,"schema:keywords":502,"schema:title":500,"schema:title__de":500,"threems:relatesTo":263,"threems:searchVia_index":504},[260],[488,489],"kleio:tag_category_drawing","kleio:tag_category_painting","kleio:asset_49d925ad-5ba2-4e29-bb2a-faa75cebd88e",[492],"kleio:tag_7d91be4d-07eb-41c6-a81d-b237ac1952aa",[287],140,[40],[25],"2023","2023-01-01","2023-12-31","Schattenbilder","Skizzen für Wandbilder direkt auf die Wand über eine Raumecke appliziert.",[503,316,477,312,384,317,314],"kleio:tag_content_2635",9,"kleio:record_260994",{"@id":505,"@score":229,"@type":263,"dc:creator":507,"kleio:category_tags":508,"kleio:cover_asset":509,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":510,"kleio:user_record_id":511,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":512,"kleioapi:in_space":513,"kleioapi:is_actor":6,"kleioapi:main_date__date":514,"kleioapi:main_date__date__lower":514,"kleioapi:main_date__date__upper":514,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":515,"rdfs:label__de":515,"schema:description":516,"schema:description__de":516,"schema:keywords":517,"schema:title":515,"schema:title__de":515,"threems:relatesTo":263,"threems:searchVia_index":519},[260],[370,369],"kleio:asset_0f2cb465-cc25-4189-ade0-d8faffd599d7",[287],106,[40],[25],"2021-03-21","Transformierter Raum #01-10","Wähend meier 10-tage Residenz im nano Raum für Kunst Zürich arbeitet ich mit ca. 90 unterschiedlichen Holzstücken (25 – 80 cm) und 80 Schraubzwingen. \n\nEs entstanden 21 Stehlen, aus unterschiedlichen losen Holzresten komponiert und zusammegehalten mit Schraubzwingen. Die Höhe der Stehlen lässst leicht passen, so dass sie sich flexibel in den Raum (252 cm) spannen lassen. Mit diesen zeichenhaften Stehlen veränderte ich jeden Tag die Setzung im Raum, so dass 10 unterschiedliche atmosphärische Situationen entstanden.\n\nIm Raum \nSpielen und experimentieren, \nfrei im Kopf bleiben. \nDas Eine ergibt das Andere, \ndas Nächste das Übernächste. \nEin Prozess ohne Ende, aushalten. \nStaunen, fragen, 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Carte Blanche.\n\nCover: Screen print on 300gsm Envirocare 100% recycled car (gold)\nPages: Laser print imagery on 80gsm Envirocare 100% recycled paper.\nEditors: Justin Andrews & Jacqueline Stojanović.\n\nAdditional information can be found on the SPHERE website.\nhttps://sphere-archive.com/issue-5-",[316,574,317],16,"kleio:record_3a762471-6890-4cd7-89d1-8133c7db95bf",{"@id":608,"@score":229,"@type":263,"dc:creator":610,"kleio:category_tags":611,"kleio:cover_asset":612,"kleio:default":6,"kleio:material_tags":613,"kleio:record_owner":66,"kleio:technique_tags":615,"kleio:type_tags":616,"kleio:user_record_id":617,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":618,"kleioapi:in_space":619,"kleioapi:is_actor":6,"kleioapi:main_date__date":497,"kleioapi:main_date__date__lower":498,"kleioapi:main_date__date__upper":499,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":350,"rdfs:label__de":350,"schema:description":620,"schema:description__de":620,"schema:keywords":621,"schema:title":350,"schema:title__de":350,"threems:relatesTo":263,"threems:searchVia_index":622},[260],[344],"kleio:asset_165916ac-d158-4186-a662-6750ea4e91db",[552,614],"kleio:tag_f3769efe-3145-42a7-81b7-bcc924e6a9e2",[404],[287],150,[40],[25],"Serie von 16 WC-Papier Kartonrolle gestaucht, gelocht und umhäkelt mit grauem Baumwollgarn.",[319,314,477,313,480,560,316,312],17,"kleio:record_285212",{"@id":623,"@score":229,"@type":263,"dc:creator":625,"kleio:category_tags":626,"kleio:cover_asset":627,"kleio:default":6,"kleio:record_owner":66,"kleio:type_tags":628,"kleio:user_record_id":629,"kleioapi:creator__labels":71,"kleioapi:creator__labels__de":71,"kleioapi:in_set":630,"kleioapi:in_space":631,"kleioapi:is_actor":6,"kleioapi:main_date__date":433,"kleioapi:main_date__date__lower":434,"kleioapi:main_date__date__upper":435,"kleioapi:owner_default_space__label":71,"kleioapi:owner_default_space__label__de":71,"kleioapi:owner_default_space__label__en":71,"kleioapi:owner_default_space__label__fr":71,"kleioapi:public":6,"rdfs:label":632,"rdfs:label__de":632,"schema:description":633,"schema:description__de":633,"schema:keywords":634,"schema:title":632,"schema:title__de":632,"threems:relatesTo":263,"threems:searchVia_index":638},[260],[344,324],"kleio:asset_489f9337-d988-4414-a235-004c5b5c700f",[287],112,[40],[25],"Dreiklang plus eins, Ensemble I – VI","Das Interesse an Systemen und Ordnungen, deren Regeln sowie die Abweichungen davon stehen im Zentrum der Arbeiten von Regula Michell (*1960, lebt und arbeitet in Zürich). Bewegung und Stillstand, transitäre Zonen und Zwischenräume sind ebenso prägend für ihre Arbeiten wie eine materiale Prägnanz, die sich zwischen bewusster Auswahl und Pragmatismus bewegt. Michell bevorzugt Materialien wie Karton und Papier, Textilien und Holzabschnitte einerseits aufgrund ihrer einfachen Handhabbarkeit; andererseits ergeben sich aus technisch bedingten Anforderung auch ungeplante, aber doch geschätzte «Regelbrüche».\n\nDie Wandobjekte im Triemli-Spital gehen auf einen Atelieraufenthalt in Nairs zurück. Während der Zufahrten ins oder aus dem Bündnerland fielen Michell in der Linth-Ebene die markanten Volumina der Scheunen ins Auge: schnörkellos, kompakt und reduziert, einfache Kuben, die in flache Landschaft «hineingesetzt» sind. Das Modellhafte dieser Gebäude gab Anstoss zur Beschäftigung mit Miniaturisierung, Bausätzen und spezifisch technischen Darstellungsformen wie der Abwicklung. Aus dem perspektivisch «verzogenen» Baukörper entwickelte Michell eine Wandarbeit, bei deren Gestaltung sie sich bestimmte Regeln auferlegte: hinsichtlich der Häufigkeit einer Farbe, der «Anschlüsse» etc. Dieser bunte geometrische Fries stellt für die Wandobjekte den Ausgangspunkt dar. Mit einer rechteckigen Schablone im Format (25 x 22 x 4 cm) maskiert die Künstlerin – wiederum unter Anwendung spezifischer Regeln – flächige Farbkompositionen, die sie dann in dreidimensionale Objekte transformiert. Der «originale» Ausschnitt wird aber nicht nur ins Räumliche gewendet, sondern auch material neu interpretiert. So kommen auf dem Kartonträger verschiedene Folien zum Einsatz, deren Farbigkeit und Oberfläche vom «Original» abweichen.\n\nWill man Regula Michells künstlerischen Prozess kulturtheoretisch verorten, so drängt sich des Verfahren der Bricolage, wie es Claude Lévi-Strauss in seiner Abhandlung La pensée sauvage (1962) formuliert hat, auf. 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